We are excited to present an evening with Mychael Barratt, we will be discussing and celebrating one of Mychael's most interesting and stylish of inspirations: the cinematography of Wes Anderson.
The appeal for Mychael in Wes Anderson’s imagery lies in its satisfying symmetry, carefully curated colour palettes, handcrafted storybook aesthetic, and emotionally restrained characters, all of which combine to create worlds that feel both nostalgic and self-contained. The perfectly centred compositions and balanced frames provide a sense of visual order and satisfaction which Mychael recreates beautifully in his imagined scenes, all featuring London landmarks, and of course... dogs! - Dogs which are placed front and dead centre and look out from Mychael’s work as unflinchingly as any of Anderson’s characters.
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Mychael BarrattWes Anderson’s Dog - Hoover Building I, 2018Framed
Last remaining print£970.00 -
Mychael BarrattWes Anderson’s dog - Michelin Building, 2018Framed
SOLD OUTSold -
Mychael BarrattWes Anderson’s Dog - The Ivy, 2025£560.00 -
Mychael BarrattWes Anderson’s Dogs - Walthamstow Stadium, 2025£560.00
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Wes Anderson, Isle of Dogs. 2018 -
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Mychael BarrattWes Anderson's Dog - Page Street, 2020Last remaining printSold -
Mychael BarrattWes Anderson’s Dog - The Rose Street Foundry, Inverness, 2022£560.00 -
Mychael BarrattWes Anderson’s Dogs - Battersea Power Station, 2022£560.00 -
Mychael BarrattWes Anderson’s Dog - Screen on the Green, 2024£560.00
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Wes Anderson, Moonrise Kingdom. 2012 - Mychael's favourite Wes Anderson film


