Eames Fine Art
Skip to main content
  • Menu
  • NEW ACQUISITIONS
  • ARTISTS
  • EXHIBITIONS
  • Publications
  • FILMS
  • EVENTS
  • Blog
  • ABOUT US
Instagram, opens in a new tab.
Send an email
Join the mailing list
Cart
0 items £
Checkout

Item added to cart

View cart & checkout
Continue shopping
Instagram, opens in a new tab.
Send an email
Join the mailing list
Menu

Etching

  • All
  • Beyond Cape Wrath
  • Ceramics
  • Collotype
  • Fragments
  • Greenwich
  • High Islands
  • Lockdown
  • New Work 2025
  • Print
  • Saltburn to Flambororgh
  • Shannon
  • Shetland
  • Skellig Revisited
  • St Kilda Revisited
  • The Barra Isles
  • Line blocks
  • Pastels
  • Painting
  • Lithograph
  • Photogravure
  • Linocut
  • Monotype
  • Watercolour
  • Drypoint
  • Etching
  • Silkscreen
  • Woodblock
  • Chine-Collé
  • Ink Drawing
  • Pencil drawing
  • Mokuhanga
  • Engraving
  • Monoprint
  • Mezzotint
  • Carborundum
Open a larger version of the following image in a popup: Francisco de Goya, 16. Dios la Perdone: Y era su Madre, 1799

Francisco de Goya

16. Dios la Perdone: Y era su Madre, 1799
For heaven’s sake: and it was her mother
£1,500.00
Enquire
%3Cdiv%20class%3D%22artist%22%3EFrancisco%20de%20Goya%3C/div%3E%3Cdiv%20class%3D%22title_and_year%22%3E%3Cspan%20class%3D%22title_and_year_title%22%3E16.%20Dios%20la%20Perdone%3A%20Y%20era%20su%20Madre%3C/span%3E%2C%20%3Cspan%20class%3D%22title_and_year_year%22%3E1799%3C/span%3E%3C/div%3E%3Cdiv%20class%3D%22medium%22%3EFor%20heaven%E2%80%99s%20sake%3A%20and%20it%20was%20her%20mother%3C/div%3E
Original etching, aquatint and drypoint on paper from ‘Los Caprichos’ From the fifth edition of 210, published between 1881-1886 by the Calcografia for the Real Academia This artwork is framed...
Read more

Original etching, aquatint and drypoint on paper from ‘Los Caprichos’

From the fifth edition of 210, published between 1881-1886 by the Calcografia for the Real Academia

This artwork is framed

 

Image size: 150 x 200 mm

Frame size: 335 x 410 mm

 

Goya’s commentary:

The young woman left her home as a little girl. She did her apprenticeship at Cadiz, she came to Madrid: there she ‘won the lottery’. She goes down to Prado and hears a grimy, decrepit old woman begging for her alms; she sends her away, the old woman persists. The fashionable young woman turns round and finds - who would have thought it - that the poor old woman is her mother.

 

Los Caprichos:

The suite was first published in 1799 and Goya is thought to have sold only 27 copies before withdrawing it from circulation due to the Inquisition. Most of the remaining copies of the edition were alter purchased by King Charles IV of Spain. The work was an enlightened, tour-de-force critique of 18th century Spain, and humanity in general. The informal style as well as the depiction of contemporary society found in the Caprichos, makes them and Goya himself, a precursor to the modernist movement almost a century later.

Close full details
Share
  • Facebook
  • X
  • Pinterest
  • Tumblr
  • Email
Previous
|
Next
906 
of  988
EAMES FINE ART GALLERY | PRINT ROOM | COLLECTORS' STUDIO | ATELIER

 

CONTACT US

JOIN OUR MAILING LIST

 

 

Instagram, opens in a new tab.
Send an email
Join the mailing list
Privacy Policy
Accessibility Policy
Manage cookies
Payment, Framing, Collections & Delivery
Copyright © 2026 Eames Fine Art
Site by Artlogic

This website uses cookies
This site uses cookies to help make it more useful to you. Please contact us to find out more about our Cookie Policy.

Manage cookies
Reject non essential
Accept

Cookie preferences

Check the boxes for the cookie categories you allow our site to use

Cookie options
Required for the website to function and cannot be disabled.
Improve your experience on the website by storing choices you make about how it should function.
Allow us to collect anonymous usage data in order to improve the experience on our website.
Allow us to identify our visitors so that we can offer personalised, targeted marketing.
Save preferences