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Ardyn Halter | The Mycological Prints

Past viewing_room
4 - 14 September 2024
  • Ardyn Halter | The Mycological Prints, 4th - 15th September 2024
    Ardyn Halter (right) and Kip Greshem (left) in the Cambridge Print Studio

    Ardyn Halter | The Mycological Prints

    4th - 15th September 2024

    Eames Fine Art Collectors' Studio & Atelier

    54-58 Tanner Street (Entrance on Pope St)

    London SE1 3PH

     


     

    Eames Fine Art is delighted to welcome Ardyn Halter back to the Studio and Atelier for a special showcase of new screenprints. 

     

    The Mycological Prints - inspired by the fungi kingdom and Ardyn's childhood experience in mushroom picking -  was made between Summer 2023 and January 2024. He collaborated with Master Printmaker, Kip Greshem,  at the Cambridge Print Studio, who editioned the five new screenprints for Ardyn. 

     

    One of each print has gone to the collections of The Fitzwilliam Museum, Cambridge, UK and the Kasser Mochary Foundation in the USA.

  • "Ever since childhood, I have loved mushroom-picking. I have always thought that it is the closest a vegetarian can come to hunting. Your senses are alive and alert as you seek and observe the marvelous kingdom of fungi appearing in the woodland and connecting the trees and vegetation in such mysterious ways. In these prints I have sought less to convey the colours of the specific fungi than the energy and excitement involved when seeking and discovering them and the enigmatic ways of their kingdom."

    • Boletus Thoughts, 2024 Screenprint on paper Signed in pencil Numbered from the edition of 30 Printed by Kip Gresham at The Studio, Cambridge with their blindstamp Paper and image size: 515 x 360 mm "There is nothing quite like discovering a Bay Boletus, a Boletus Edulis or one of the many other marvelous varieties of that family. Mushroom foragers have their secret spots, prized locations where porcini (Italian), ceps (French), steinpiltz (German), penny buns (the English common term is lamentably dull) recur, year on year. Passing these places out of season, it is hard not to wonder at the miraculous timing and precise circumstances that trigger the emergence of these complete forms. I find myself reflecting on how their spores and rhyzomes are ever- present in space and time, out of scent and out of colour, biding their moment to fruit."
      Boletus Thoughts, 2024

       

      Screenprint on paper

      Signed in pencil

      Numbered from the edition of 30

      Printed by Kip Gresham at The Studio, Cambridge with their blindstamp

       

      Paper and image size: 515 x 360 mm

       

      "There is nothing quite like discovering a Bay Boletus, a Boletus Edulis or one of the many other marvelous varieties of that family. Mushroom foragers have their secret spots, prized locations where porcini (Italian), ceps (French), steinpiltz (German), penny buns (the English common term is lamentably dull) recur, year on year. Passing these places out of season, it is hard not to wonder at the miraculous timing and precise circumstances that trigger the emergence of these complete forms.

       

      I find myself reflecting on how their spores and rhyzomes are ever- present in space and time, out of scent and out of colour, biding their moment to fruit."

       

       

      £300.00
    • Song of the Blewit, 2024 Screenprint on paper
      Song of the Blewit, 2024

      Screenprint on paper

      £400.00
      View more details
    • Mystery of the Blewit, 2024 Screenprint on paper
      Mystery of the Blewit, 2024

      Screenprint on paper

      £400.00
      View more details
  • "The mysterious circles of certain fungi…
     The way they seem to perform a ritual, but how is it that some rings, some circles, are small while others of the same fungi are enormous? 
     Their advent on the floor of the forest (wood blewits – Lepista nuda) or at the edge of woodland and in fields (field blewits – Lepista personata), can make them appear invasive presences or, at other times, cause one to reflect that perhaps the animal and vegetal kingdoms are the invaders and they, the fungi, the enduring presences that choose to be seen at their opportune time."
     
     
    • Enigma of the Woods, 2024 Screenprint on paper Signed in pencil Numbered from the edition of 30 Printed by Kip Gresham at The Studio, Cambridge with their blindstamp Paper and image size: 490 x 510 mm "I recall the first time that I came across Chicken of the Wood (Laetiporus). It was on a tree along the roadside in southern Bohemia. I knew the fungus from photographs in books, but had never seen it in nature and was amazed by its sulphurous colour and the distinct chicken smell and texture when cooked. We were surprised at its sheer size and weight. The chef at our hotel allowed me to cook it, and my wife and I and all the kitchen staff shared it. When I thanked him, he presented me with a bottle of his excellent home-made Slivovitz."
      Enigma of the Woods, 2024

       

      Screenprint on paper

      Signed in pencil

      Numbered from the edition of 30

      Printed by Kip Gresham at The Studio, Cambridge with their blindstamp

       

      Paper and image size: 490 x 510 mm

       

       

      "I recall the first time that I came across Chicken of the Wood (Laetiporus). It was on a tree along the roadside in southern Bohemia. I knew the fungus from photographs in books, but had never seen it in nature and was amazed by its sulphurous colour and the distinct chicken smell and texture when cooked. We were surprised at its sheer size and weight.

       

      The chef at our hotel allowed me to cook it, and my wife and I and all the kitchen staff shared it. When I thanked him, he presented me with a bottle of his excellent home-made Slivovitz."

       

       

      £300.00
    • Mycologia, 2022 Silkscreen on Somerset paper Signed in pencil Numbered from the edition of 60 Printed by Kip Gresham with the studio’s blindstamp Paper and image size: 510 x 450 mm "Each year Suillus (Slippery Jack) appears just for a brief two or three weeks, and where we live they can be so abundant, that it’s hard to find enough friends to give them away. The skein of their umber and sienna caps peels readily but leaves deep nicotine-like stains on the hands that can take days to remove. Under the cap’s skin the flesh of the mushrooms is pale citron-yellow. One colour gives way to another. This reminds me of how animals and birds see colours differently to us humans. The colours that we associate with experiences are deeply personal.The emotion expressed by one colour may better convey one’s experience of a quite different colour. I think that Kandinsky and Matisse understood this. In this print, the deep scarlet, blending in from the right side of the print towards the centre, is not in fact red at all. It is a transparent ultra blue, stealthily working in the print, which feels right, because fungi are, at one and the same time, subtle and brash, stealthy and overt."
      Mycologia, 2022

       

      Silkscreen on Somerset paper

      Signed in pencil

      Numbered from the edition of 60

      Printed by Kip Gresham with the studio’s blindstamp

       

      Paper and image size: 510 x 450 mm

       

      "Each year Suillus (Slippery Jack) appears just for a brief two or three weeks, and where we live they can be so abundant, that it’s hard to find enough friends to give them away. The skein of their umber and sienna caps peels readily but leaves deep nicotine-like stains on the hands that can take days to remove. Under the cap’s skin the flesh of the mushrooms is pale citron-yellow.

       

      One colour gives way to another. This reminds me of how animals and birds see colours differently to us humans. The colours that we associate with experiences are deeply personal.The emotion expressed by one colour may better convey one’s experience of a quite different colour.

      I think that Kandinsky and Matisse understood this.

       

      In this print, the deep scarlet, blending in from the right side of the print towards the centre, is not in fact red at all. It is a transparent ultra blue, stealthily working in the print, which feels right, because fungi are, at one and the same time, subtle and brash, stealthy and overt."

       

       

      £300.00
  • "In the proofing of each of these prints changes were made, shifting them away from a predetermined idea. In one or two, the final print bore  little resemblance to its early proofed stages.  
    One might say In pigmento veritas – the truth is in the pigment."
  • Earlier Works

    • The World and the Aubergine, 2022 Screenprint on paper
      The World and the Aubergine, 2022

      Screenprint on paper

      £430.00
      View more details
    • Persimmonia, 2022 Screenprint on paper
      Persimmonia, 2022

      Screenprint on paper

      £430.00
      View more details
    • Good Morning, 2022 Screenprint on paper
      Good Morning, 2022

      Screenprint on paper

      £480.00
      View more details
    • Quince, 2022 Screenprint on paper
      Quince, 2022

      Screenprint on paper

      £300.00
      View more details
    • Quince Space, 2022 Screenprint on paper
      Quince Space, 2022

      Screenprint on paper

      £300.00
      View more details
  • Please contact the Studio on 0207 407 6561 or email [email protected] if you have and questions or would like information on framing options and prices.
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